Mostly remembered for its plot twist, Jordan’s film is marked by a deep sense of empathy.
The film’s formal construction and ideological constitution stands at the nexus of tradition and progression.
Sono’s frantic depiction of angry, confused youth is one of his strongest, most poetic works.
The conclusion of Sion Sono’s Hate trilogy gets a reliably barebones but sturdy home-video release from Olive Films.
It’s an intelligent, self-reflexive summer blockbuster with an eye for castigating proliferate franchise mentalities.
The comically rich visual tapestry of Edwards’s The Party still endures, despite Kino’s half-cooked 1080p transfer.
You won’t feel back-stabbed by the gorgeous audio-visual transfer on this new Blu-ray of Claude Chabrol’s essential film.
Raro’s excellent A/V transfer resuscitates a forgotten gem of 1980s cinema, an interpretive horror film from an unpredictable filmmaker.
It swaggers onto Blu-ray with a superfly transfer from Kino, accompanied, unfortunately, by nothing more contextual than the trailer.
Birds of a fiendish feather will flock to Blue Underground’s sterling new Blu-ray transfer of Soavi’s film.
This is on of Fassbinder’s most penetrating examinations of the social challenges of extending and receiving true, uncompromised empathy.
A tragedy worth celebrating on Blu-ray, especially given the new 2K restoration and a handful of informative special features.
Raoul Walsh’s film is notable for its unique sense of period and locale, character, and consequence.
One of the only great punk films to be purely celebratory of the music’s escapism and inspiration to young misfits.
It still strides like a behemoth, but the extras are sadly as inconsequential as the crowds rushing around our unlikely hero’s massive feet.
By far the most uncompromising and gory of the many adaptations of the play, and its viciousness is perfectly preserved by Criterion.
It still cuts the competition to the bone.
The film receives a dense and gorgeous Criterion transfer that allows its amazing aesthetic complexity to reach full ghostly bloom.
Time has revealed Hangmen Also Die to be one of Fritz Lang’s sharpest, bleakest, and most dizzyingly inventive thrillers.
The film receives a gorgeous and exacting transfer that should surpass even a prickly cinephile’s greatest fantasies.
Criterion legitimizes this brilliant musical X-ray with a transfer that admirably refuses to moot its seamy, gritty, furious poetry.