“Faster Than the Devil,” featuring Marissa Nadler, mines the same influences as Bat for Lashes’ Natasha Khan.
This week’s episode of Coven is ideally timed to remind us that Halloween was once a dangerous pagan event.
It would certainly make sense to see Paul Greengrass among shoo-ins like Steve McQueen and Alfonso Cuarón.
These days, the X-Men saga seems like an interweaving, incestuous franchise bent on its own redemption.
One of the more noteworthy elements of “Isolation” is that it’s not nearly as Rick-centric as most episodes.
“The Yoga Play,” both the episode and the spy tactic that Carrie uses within it, is little more than a distraction.
Sadly, Halloween: H20 has nothing to do with water.
There’s a moment late in “The Replacements” that indirectly addresses a curiosity I’d already had in regard to Coven.
Cut Copy has shared a new cut from their forthcoming fourth album, Free Your Mind.
Lady Gaga lashes out at her critics on “Do What U Want,” a newly released teaser single from her upcoming album Artpop.
After last week’s quiet game of setup, the action starts fast and strong in the second episode of The Walking Dead’s fourth season.
Every sacrifice the series has made up to this point now feels redeemed.
It finds creators Ryan Murphy and Brad Falchuk settling into a relative groove after bursting furiously out of the gates last week.
Nyong’o may be new to the U.S. screen, but she isn’t new to the industry.
Last night Eminem premiered the latest single from his upcoming album, The Marshall Mathers LP 2, out November 5th.
The long love scenes between Emma and Adèle have garnered a lot of attention in discussions of Blue Is the Warmest Color.
Few directors are as enamored with the passage of time and the preservation of memory as Richard Linklater.
It specifically reinforces that character depth and exposition are not among the show’s strong suits.
This week’s relentlessly bleak Homeland finally catches the audience up on what Nicholas Brody has been up to.
Perhaps the most crucial element of Jonze’s vision is its sympathetic embrace of the volatile beating hearts of its characters.