Xiu Xiu’s Nina Simone covers album, Nina, doesn’t even drop until December 3rd.
A Woman Alone raises questions about citizenship in its deepest sense, exposing its limitations.
The trailer for White Reindeer doesn’t seem to feature any cocaine use, but it might as well.
Straight males may have found themselves in the position of actively envying two dead men while watching this week’s episode.
If The Hunger Games found its urgency in the horrors of kid-on-kid fatalities, Catching Fire finds it in the collapsing of a societal facade.
On February 25th, Neneh Cherry will return with her first solo album in 16 years.
“Live Bait” develops into one of The Walking Dead’s most quietly refreshing entries.
Carrie’s actions may be morally correct, but they work against the greater needs of the country, and so she’s not permitted to act on her own.
In this week’s episode of Coven, an elegantly interlocking series of plot turns suggests a major character’s undoing.
Employing a more dance-driven, Auto-Tuned approach, Allen takes aim at the industry’s systematic sexism, brought to colorful life in the song’s music video.
“Gerontion” could succeed as nothing more than a forum for discussing the pros and cons of the “ends justify the means” idiom.
“Internment” reintroduces the familiar, overt philosophical musings of its earlier seasons.
Growing up in the ’80s, I had to come by Lou Reed through some fashion other than radio.
The latest track from Gang Gang Dance’s Brian DeGraw (a.k.a. bEEdEEgEE) features CSS’s Lovefoxxx on vocals.
As a kind of “festival of festivals,” the Viennale is one of the most esteemed fixtures in the world-cinema circuit.
Creators Ryan Murphy and Brad Falchuk suffer few indulgences of sentimentality.
A buzzworthy turn overshadowing a movie’s failings is a trend this Oscar season.
Based on the title of this week’s episode of Homeland, the question seems to be how much anyone can actually know, or be “positive” about.
The dilemma of letting go of the past versus holding on to it has slowly emerged as the central conflict in the fourth season.
Nailing the feel of a place through precise lighting isn’t a problem for South Korean auteur Hong Sang-soo.