It behaves as the TV equivalent of what Quentin Tarantino once deemed a “hang out movie.”
SBTRKT’s latest, which barely breaks the one-minute mark, features Jessie Ware on vocals, as well as his friends Tic and Sampha.
The vocal coupling is less than ideal given that Gaga’s voice on the track is so reminiscent of Aguilera’s in the first place.
Upcoming SNL host/musical guest Drake dropped a New Year’s gift to fans with the Hitboy-produced “Trophies.”
“The Time of the Doctor” is the third in a loose trilogy of Doctor Who episodes focused explicitly on the title character.
Hip-hop titans Rick Ross and Jay-Z have joined forces for a new track from the former’s forthcoming album.
Robert Wilson’s aesthetic is at home in the colossal Park Avenue Armory.
One’s enjoyment of “The Star” and, really, the entire third season of Homeland boils down to whether one is a fan of redemption stories.
See below for a list of the films that just missed making it onto our list of the best films of 2013, followed by our contributors’ individual ballots.
Burial’s Rival Dealer drops next week, but you can stream the three-track EP in advance.
This week’s episode of Coven steers the series into unexpected and retrospectively logical narrative and thematic directions.
The Thin Blue Line remains a landmark in Morris’s oeuvre because it revealed and corrected a flawed judicial process.
For three seasons, Homeland has been having it both ways with the exceedingly charismatic Damian Lewis.
“The Sacred Taking” finds the show’s variables nearly, but not quite, cohering into a grand narrative arc.
If I had to bet which Oscar contender will score the most nominations without a single win, I’d go for Saving Mr. Banks.
Its emotional payoff materializes before the shower of gunfire and explosions that pervade the final act of the episode.
Ultimately, it isn’t luck or faith that Homeland is interested in, but humanity.
An episode made to commemorate a series reaching its golden anniversary could be forgiven for merely being an excuse for a party.
More a matter of what Homeland needs to move forward than what viewers might actually want, but it’s a necessary evil.
This time, the portrait of the Governor’s inner torment and unrest is more nuanced.