McElwee discusses, among other things, his new film and staring down the loss of his son.
Anna Boden and Ryan Fleck are up to bat again with the immigrant baseball story Sugar.
Connecting Polanski’s work to what a western audience would refer to as absurdism or surrealism, Bird views them as personal artistic statements.
Bird discusses Polish director Andrzej Zulawski and more.
My meeting with New Yorker film editor and film listings writer Richard Brody involved no finger pointing.
Our interview with James Gray touches on the complexities of Two Lovers and the nature of criticism.
I leapt at the chance to send a few questions, via e-mail, to Chantal Akerman on the film itself and on working with Delphine Seyrig.
Nankin discusses TV direction in general, directing Battlestar specifically, and some of the other shows on TV he admires.
Antonio Campos, who is now 25, worked on the script that became Afterschool throughout college, and had begun it earlier.
She spoke with Slant about Wendy and Lucy and its political bearings, and what success means for an ultra low-budget filmmaker.
The day I interviewed Kuras and Thavisouk Phrasavath, congratulations were in order.
Frankly, Róisín Murphy ought to be bigger in the United States than she is.
The following interview is definitive proof that sometimes it does indeed pay to dream.
In a medium that devours beauty so easily, it’s talent that’s kept Ludivine Sagnier going.
Though we discussed everything from spirituality to positive con artistry, the subject of living in Chelsea with an albino skunk never came up.
Breillat discusses literary adaptations, Argento’s formidable force, and French cinema’s shortage of matinee idols.
Sara Taksler and Naomi Greenfield are an inspiration for aspiring indie filmmakers.
Though he says otherwise, it’s hard to think of an American songwriter as admired by fans and critics as Berman.
Zack Winestine’s Caravan/Prague is a first person documentary account of a 500-mile bicycle caravan across Europe.
He’s endlessly alert and inquisitive behind the camera, a unique combination of detective, storyteller and philosopher.
Maddin discusses the complexities of his latest film, My Winnipeg.