McElwee discusses, among other things, his new film and staring down the loss of his son.
Miller discusses Jones and his other film work, including the upcoming God’s Land.
“It’s a neighborhood movie,” says Jim Mickle, director of Mulberry Street.
The filmmaker proved to be most sensitive, contemplative and articulate about this powerhouse debut.
Willis has four kids at home, and with Translated from Love, she was ready to put on her dancing shoes and have a little fun.
Kenna Zemedkun is a pop artist with something to prove.
When I assured her no one else was listening in on the conversation, she said: “I’ll just choose to believe you.”
The Last Winter’s hard-hitting resolution appeals to the conscience of the viewer, as does Fessenden’s lingering mood of introspective melancholy.
He’s a rapper, a label head, a man with a hard-line manifesto.
Abbas Kiarostami is exhausted, and understandably so.
At age 63, McDowell is one of the few living links to a host of great British actors who are now gone.
At one time, Phil Hall navigated between the worlds of public relations and film criticism, two professions that could not be more dissimilar.
Rosenbaum continues to write long-form pieces during a time when most professional critics are increasingly marginalized.
In the new issue of Shock Cinema, House contributor Jeremiah Kipp interviews unconventional leading man Ron Perlman.
How does one follow-up an Oscar-nominated documentary about sexual abuse perpetrated by members of the Catholic Church?
In person, Oliver Stone turns out to be a lot like you’d expect from watching his movies.
If you wish to revolutionize your life, hop on the back of a motorcycle and hit the road.
There are no floral patterns here. Pallett’s music contains ideas—and they’re worth paying attention to.
I dare you to tell Rahzel Brown that beatboxing is a thing of the past.
Stewart Stern is best known for writing the screenplay to the seminal American classic, Rebel Without a Cause.
Chaw rages against the Hollywood machine’s depictions of class, gender and race, puncturing political correctness.