McElwee discusses, among other things, his new film and staring down the loss of his son.
Music, from rock to reggae to blues, has always played an integral part in Demme’s movies.
A mysterious, handsome man lures women to their doom.
Chlanda discusses her process as an actress and her experience making Contact.
We managed to track down the notorious RPG-rap pioneer for a few questions, as he walks us through his most coveted release to date.
With his combination of fearless physicality and intense intellect, Michael Fassbender is poised to become the next Daniel Day-Lewis.
Earlier this year in Toronto, we chatted about charlatans and artists, Monty Python and Faustian deals, and, finally, Heath Ledger.
Teems discusses the intricacies of That Evening Sun’s characters and the difficulties of raising money for a small, character-driven film.
Robert Kenner discusses how he hopes his film will make you think twice before taking another bite out of that hamburger.
Stone discusses why it was so necessary to go “off the grid” to make Severed Ways.
Scherfig reflects on the film industry in Denmark, her love of Peter Sarsgaard, and more.
Watching Loren Cass is a little bit like getting punched in the face.
After a long day at the Toronto Film Festival, Diablo Cody called me up to talk about the movie and her continuing efforts to process unexpected fame.
From his spiritual commitments to his choice of beats, Matisyahu does nothing without careful consideration.
Writer-director Wai Ka-fai’s collaborations with Johnnie To stand out from To’s filmography.
The Hurt Locker is a work of exhaustive filmic intricacy that required Bigelow to contemplate even “the sound of heat and dust, and the sun.”
Coppola discusses what it means to be a personal filmmaker these days in Hollywood.
Bart Mastronardi’s psychological horror film Vindication owes plenty to the complex mythologies of Clive Barker novels.
Slant caught up with del Toro in Beverly Hills to discuss his work with his fellow Mexican filmmakers.
Ondi Timoner is fascinated by troubled men of extraordinary insight, calling them “delusional visionaries.”
Wallace wrote for Premiere in the mid-to-late 1990s, about subjects as diverse as David Lynch, Terminator 2, and the Adult Video News Awards.