McElwee discusses, among other things, his new film and staring down the loss of his son.
When Alex Timbers was 12 years old, he and an elementary school buddy had their own public access cable show in Manhattan.
Busch discusses playing a mother superior in his new play, now at the Soho Playhouse.
Dermansky brings a refreshing mix of honest fandom and driving curiosity to her second novel.
Cast members O’Dowd, Parkinson, and Berry took time from rehearsal last spring to chat with Slant about making The IT Crowd.
The Jornada Brasileira de Cinema Silencioso, just completing its fourth year, is one of the world’s most prominent silent film festivals.
Michôd sat down with Slant to discuss the infamy encapsulating the Melbourne crime circuit and premiering his first feature film at Sundance.
Regardless of what you may think of Ken Russell’s movies, the English iconoclast filmmaker is without doubt a true original.
The 1992 release of Orlando propelled director Sally Potter to forefront of independent filmmakers.
Reed speaks about Prodigal Sons and its complexities, cinematic, familial, and otherwise.
We met up with them between shuffleboard matches to learn about their upcoming show.
One can’t help but think Werner Herzog would be tickled pink by both the doc and the rebel director behind its lens.
Shear sat down with us recently to talk about her new play.
The business was started when Al Mayles and his wife, Gillian, moved from the Upper West Side to Harlem five years ago.
Simon spoke with Slant about the challenges and rewards of telling stories from the inside out.
João César Monteiro’s world is a strange one.
Burning Inside will surely find a loyal cult audience willing to tap into its rigorous midnight-movie sensibility.
Cutting his teeth as a stunt actor, Edgerton managed to wedge his foot in the door in the biz at the tender age of 18.
Gilligan discusses his undying love for television, violence on the U.S.-Mexico border, and the unintentional politics of his admittedly showy brand of realism.
The filmmaker brothers discuss their latest feature, which is out next month from Fox Searchlight Pictures.
Slant caught up with Egoyan to discuss what he thinks of Sarah Polley stepping behind the camera and the most difficult moment of his filmmaking career.