Just ignore the subplot about Lewis and Hobson struggling to get to the opera to see The Fairy-Queen and you’ll be riveted.
Cast members O’Dowd, Parkinson, and Berry took time from rehearsal last spring to chat with Slant about making The IT Crowd.
The decidedly dark and uncomic Murder on the Orient Express is, as the Brits might say, bloody brilliant.
There is something inherently off-putting about a Friday-night suicide sitcom.
If it’s going to be a lark, why doesn’t The Tudors at least continue to entertain us by playing around with the truth even more?
TV is double-stuffed with stunningly hot, hard-ass, wisecracking women these days.
In its second season, Nurse Jackie no longer feels realistic.
Finishing each episode is like closing up a really great, gritty little crime novel.
These episodes uphold the show’s recent trend of slowly and seamlessly exposing the characters’ personal lives.
Survivors’s real villain isn’t the virus, or the top-secret medical team hinted to be experimenting with it, but other humans.