It may be fun to watch reality TV families, but it must seriously suck to live with one of them.
Far more frustrating than the film’s banally conventional plot structure is its characters’ lack of depth.
Watching Loren Cass is a little bit like getting punched in the face.
Antonio Campos, who is now 25, worked on the script that became Afterschool throughout college, and had begun it earlier.
The film’s title is an appropriate stand-in for the movie itself: straightforward exposition laid bare.
The discussion was entitled “The Making of The Wire,” and much of the evening was spent relaying behind-the-scenes trivia.
Maddin discusses the complexities of his latest film, My Winnipeg.
The last three films that Gus Van Sant has made constitute a trilogy.
Susan Sontag was correct when she argued against excessive interpretation of artistic work.
D.A. Pennebaker’s film is a veritable Rorschach test.
At this writing, Last Year At Marienbad’s place in cinematic history seems an uncertain one, and understandably so.
If the human voice shatters the etherealness of certain moments, then so too does language itself.
The user-tailored, specialized nature of the Internet is central to LOL.