Colony essentially approaches Train to Busan’s setup from a 90-degree angle.
Travolta’s scenes are islands of tranquility in a jittery sea of rote crime-movie pyrotechnics.
The film knows who it wants to reach, and speaks directly to them without pandering to them.
The elegantly underplayed performances ensure that the film never succumbs to melodrama.
The film was made with the utmost commitment to authentic representations of rez life.
D. Smith discusses earning her subjects’ trust, the sterility of documentary tropes, and more.
The twin filmmakers discuss why they’re keen to engage with interpretations of Talk to Me.
The film handily invokes the campiness of the iconic Disneyland attraction, if not its kinetics.
The 26th San Francisco Silent Film Festival was another joyous gathering of silent cinema.
Sympathy for the Devil knows what its audience is here for.
From the outset, it’s clear that the film is something akin to a rural noir.
War Pony is characterized by a glaring, almost frustrating lack of nuance or specificity.
A multi-faceted portrait of a particularly American trans experience emerges here and there.
The film turns a showdown between two basketball teams into an exhilarating experience.
Return to Dust’s characters don’t so much develop as they deepen.
Christopher Nolan’s film startlingly dispenses with the plodding routines of the average biopic.
Cobweb isn’t shy about drawing upon the iconography of many a horror film before it.
The film is at once a journey of self-actualization and a testament to female solidarity.
They Cloned Tyrone is a satirical science-fiction story styled as a Blaxploitation film.
Petzold discusses how his artistic inclinations can be felt in Afire’s characters.
In the world of Greenaway, separation can be a terrifying thing.