Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
The film taps into universal truths about the passage of time, the inevitability of loss, and how we prepare one another for it.
This ostentatiously expensive remake is reliant on our memory of the original to accentuate every significant moment.
It masterfully sustains a sense of “wrongness” that will be felt even by those unfamiliar with Argentina’s history.
The dojo of this film is the ultimate unsafe space, a place of deadpan irony and appalling brutality.
Marc Maron’s commanding aura of regret gives the film, despite its missed opportunities, an emotional center.
Richard Ladkani’s documentary bristles with drama and a panicky sense of righteous anger.
The film follows a young Chinese woman who disguises herself as a warrior in order to spare her ailing father from war.
The film is defined by its straight-faced attachment to outmoded ideas about masculinity and law enforcement.
It’s been a whirlwind for Reynor to process the wide swath of reactions sparked by his character in the film.
The film is a brutal examination of social isolation and malaise.
The contestants in Simon’s temperate portrait are openly, if not quite unapologetically, what-you-see-is-what-you-get.
Jon Watts deftly weaves the epic and the mundane aspects of Spider-Man’s existence throughout the film.
Ari Aster is interested in extremities, and knows just when to deploy one to enhance another.
The film curiously avoids exploring the complexities of introducing the Beatles’s music into a radically different milieu.
Transforming Ophelia’s abuser into a helpful co-conspirator hardly seems like the most daring feminist reading of Hamlet.
The film is at least as likely to elicit laughs as shrieks, and certainly unlikely to leave a lasting impression.
The film ably plumbs the fears of a well-meaning man who tries his best to play by the rules of middle-aged courtship.
Through this endless string of undercooked subplots, Nesher’s film continually trips over itself.
Blank’s films on norteño music provide typically peppy examples of the director’s immersive, seemingly effortless style.
Director Alex Holmes ultimately takes a frustratingly simplistic approach to his thematically rich material.