Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
Whatever the outcome of the streaming wars, we hope that when the dust clears, there’s still a digital home for films like these.
By the end, it becomes what it initially parodies: a dime-a-dozen slasher film with a silly-looking doll as the villain.
The anthology justifies Mick Garris’s passion for horror, though he ironically proves to be one of his project’s liabilities.
In verbally recounting her history, Morrison proves almost as engaging as she in print, a wise and sensitive voice.
Jack Hazan’s portrait of David Hockney stands between documentary and fictional film, reality and fantasy.
In the end, the film feels like a sketch that’s been offered in place of a portrait.
Tom Harper’s film empathetically probes the growing pains of self-improvement.
The true shock of Rolling Thunder Revue is in how good, how alive, Dylan is on stage.
Ultimately, the only truly retro thing about this weirdly reactionary potboiler is its politics.
The film seamlessly interweaves fun escapades and earnest emotions, but it lacks the visual power of its predecessor.
The film wastes its charismatic leads in a parade of wacky CG creations whose occasional novelty is drowned out by its incessance.
The film is more interested in how people respond to extreme emotional crises than to everyday life.
We never spend enough time with the characters to believe the urgency, and lushness, of their cravings.
The film elides politics in order to earnestly consider whether love is necessarily an act of possession.
The documentary proves that the history and mythology of American jazz is as intoxicating as the music itself.
The film sends the curious message that any time spent with an abusive parent is time well spent.
The film is firmly grounded in the lives of low-wage workers looking for nothing more than a reliable paycheck.
Fails and Talbot live and breathe their city, even as its dominant tech industry is wiping away its offbeat majesty.
Docaviv continues to thrive in increasingly challenging circumstances.
On the occasion of the release of Dark Phoenix, we ranked the 12 films in the X-Men series from worst to best.