These shows prove the marathon-watching juggernaut’s concern for both quantity and quality.
We’ve stormed the gates and are now officially part of the canon-forming establishment…or (fingers crossed) the canon-altering anti-establishment.
Check out the 15 films we’ve shortlisted for their unforgettable steps.
Men in masks have been darting across the movie screen since the days of silents and serials.
Are the demons that fed Tarnation’s making still present? Is it still, as Renee recites in the film’s closing moments, a beautiful world?
Sometimes, a ruse is so convincing that everyone is fooled, swept up by the yank of the proverbial rug.
The global economic maelstrom found a way to creep its way into the 47th edition of the festival—but only for a moment.
From a child murderer to a furry monster to two more Stone creations, they comprise a choice selection of scoundrels.
Next time you snuggle up with your childhood friend, remember these teddy bear stars, who strive to prove there’s more to them than mere fluff.
On the Edge’s Badia isn’t a personable or empathetic character, but as the driving force of the story, her behavior is a fascinating display.
From Blade to Buffy, we’ve always needed fearless soldiers to battle creatures of the night.
There’s something highly appropriate about sitting before an all-star dais at the press conference for To Rome with Love.
We recently spoke with the actor about his career and his current role.
These cinematic sisters leave a mark as strong as a thicker-than-water bond.
Like a proper Shakespearean tragedy, the first part of The Rape of the Vampire ends with the bulk of its dramatis personae recently deceased. Wither, then, the sequel?
At La MaMA, a group of downtown artists have concocted a theater piece that aims to take the sting out of death.
The Mexican auteur discusses all that’s unspoken in this poetic vision.
We spoke with Vinterberg about the experience of making The Hunt, our world’s changing values, and the modern-day witch hunt.
We recently caught up with Kahane and Bockley to chat about February House, a musical based on Sherill Tippins’s book.
It isn’t very fashionable to be a moralist in art these days.
We spoke with the young and talented filmmaker about his new film, Laurence Anyways, his fascination with Titanic, his use of music, and more.