From Taylor Swift to The Tortured Poets Department, we’ve ranked all of the singer’s studio albums.
A sex-toy Pinocchio? Offenbach’s Olympia as an inflatable courtesan? If only.
Rope in particular is “minor” in large part because Hitchcock created so many majors.
The Electric Factory is perhaps the perfect venue for an artist like Jónsi.
Simon spoke with Slant about the challenges and rewards of telling stories from the inside out.
It’s the film’s more general, humanistic portrait of man’s multifaceted nature that truly inspires
João César Monteiro’s world is a strange one.
Coachella is a truly beautiful realm where long-absent bands and air-conditioned dance floors exist within walking distance.
Burning Inside will surely find a loyal cult audience willing to tap into its rigorous midnight-movie sensibility.
Cutting his teeth as a stunt actor, Edgerton managed to wedge his foot in the door in the biz at the tender age of 18.
The best thing about Renoir’s films is the continual sensation they give of life as theater, until theater feels like life.
When you place Jesus at the center of a film, or any work of art, you’re making a religious statement of some kind.
Gilligan discusses his undying love for television, violence on the U.S.-Mexico border, and the unintentional politics of his admittedly showy brand of realism.
The filmmaker brothers discuss their latest feature, which is out next month from Fox Searchlight Pictures.
Cold Weather is a film with polish, wit, and impeccable comedic timing.
Slant caught up with Egoyan to discuss what he thinks of Sarah Polley stepping behind the camera and the most difficult moment of his filmmaking career.
Steve McQueen’s career started too late and ended too soon.
Music, from rock to reggae to blues, has always played an integral part in Demme’s movies.
The main thing that makes True/False so unspeakably awesome is that they do not care about premieres.
This year’s series offers up a comparably varied and geographically far flung group of pictures.
The film displays Inoue’s strong directorial hand and perceptive eye for character and mood.