These shows prove the marathon-watching juggernaut’s concern for both quantity and quality.
From L.A. to Vegas to Thailand, the stops on our list boast some very memorable hotels, which vary in their abilities to accommodate, relax, and terrify.
White keeps us on our toes, thanks to magician-worthy stage surprises and to the consistent vitality of tunes both new and old.
Ratanaruang sat with us last year to discuss how he created Headshot’s tense and poetic visual vocabulary.
Thomas is back on Broadway in the Manhattan Theatre Club’s revival of Henrik Ibsen’s An Enemy of the People.
As always, alongside the marquee selections, the committee has programmed a diverse selection of under-the-radar films.
Currently appearing in Josh Radnor’s Liberal Arts, Janney is the actorly equivalent of jumper cables.
You thought Dolph Lundgren, Meryl Streep, and Darth Sidious couldn’t co-habitate. You were wrong, Padawan.
Paradise: Faith the freshly anointed winner of a special jury prize at the 69th Venice International Film Festival Jury, where our conversation took place.
We scrounged up an eclectic selection, boasting the likes of Clint Eastwood, Carl Weathers, Warren Beatty, and Eminem.
The actresses quickly prove that inside-joke-filled bonds are par for the course with close-knit movie shoots.
In a “manifesto” about her latest tour, Madonna insists that the guns and violence that open the show are metaphors.
We’ve gathered up 15 films with highly memorable phone calls, which run the gamut from disarming to terrifying.
Sachs, a longtime resident of the Big Apple, dreams of creating a queer-arts renaissance in his adopted city.
Let’s just say that Carmen Maura, Jennifer Jones, and Bill Cosby have more in common than you might have thought.
When it comes to the music of the ’80s, we feel no compelling reason to feel bad about feeling good.
The annual flood of see-them-or-be-left-out titles will pummel your poor movie-buff planning like a surging tsunami.
Zobel seems downright timid for a man who filmed his sympathetic heroine doing naked jumping jacks for a phantom authority figure.
Caroline Martel’s video installation Industry/Cinema places ephemeral films alongside more familiar ones.
This is my alphabetically arranged list of what I think are world-historically worthwhile films produced after 1986, the year of my birth.
I’ll sidestep the usual throat-clearing about the thought process behind my all-time 10-best-movies list.