Despite occasional hiccups in the source elements, these HD transfers look incredibly good.
For its reissue, Criterion has ironed out a bunch of the kinks, though I still detect some edge enhancement in the film’s endless series of long shots.
Redbelt may or may not be Mamet’s best feature, but it is most definitely his least sycophantically written.
Leave it to Disney to bring a film back to life over and over again just to make a buck.
What should have been a gripping and informative documentary experience is made unwatchable with crappy stop-motion animation.
I trust Linda Lovelace for President more than I trust at least 50 percent of the voters in the U.S.
An epic film deserves an epic DVD treatment, and Nixon gets one.
Twenty-Four Eyes, a hundred lumps in the throat. Beware of choking.
Among the most morally bankrupt films of the decade-a true crime of American cinema.
This one was made for the fans, and they’ll delight in the latest surreal battle against the Tall Man.
The film should rise from overlooked status with this devotedly attentive release.
This beautifully compelling story of compassion and love cannot be separated from the time the film was made.
If it’s only as politically savvy as a college term paper, it’s also as gritty as an old-school western.
Smart People is—nah, too easy.
Irina Palm blows but Marianne Faithfull gives it her all.
Felon won’t rock your world but may endear you to more than just Stephen Dorff’s abdominal muscles.
Brand Upon the Brain! may or may not be your cup of tea, but the title is fitting: You’ll never forget it.
Well, at least its better than Jarrett Schaefer’s Chapter 27.
The image and sound, like the hearty collection of extras, are fit for an Oscar-winner.
This DVD release boasts what’s ssentially a tapas-like collection of extras.
Privilege had the jump on Easy Rider in telling a generation that they were going to blow it.