Turns out, Hammer was still making entertaining and even innovative films in the 1970s.
Camp it up, Mary, the Boys have been culturally rehabilitated, remastered and are drunk-dialing your number.
There’s no George Kaplan, but there’s still spiffy, hypnotic pleasure in this apex of the Master’s perpetual-motion mode.
Kind of like a roller coaster ride—on a Transsiberian cross-country train—without any of the amenities.
This is the definitive release of Tim Burton’s best movie since Ed Wood.
The film remains one of the best neo-noirs of the ’90s and a fine example of classical Hollywood storytelling.
Few of the extras are new or exclusive to this DVD but it’s still an impressive slate.
Our jingoistic era might do well to revisit Gance’s compassionate visions.
A package of lacerating outrage from one of the greatest of all filmmakers.
The film may not be Raiders of the Lost Ark, but it’s hardly Spielberg and Lucas raping your childhood hero.
Pure bliss, Malick’s incantatory New World suspends us in time-regardless of how long it runs.
Another doc surrounding the U.S. military’s embarrassing use of torture, another beautifully photographed film given justice on DVD.
Daylight comes to Beetlejuice in this anniversary DVD, but apparently the bonus features wan’ go home.
Le Deuxième Souffle may be second-tier Melville, but in terms of noir, that still makes it virtually second to none.
No one rocks the trenchcoat and fedora-or beats a snitching woman cuffed to a radiator-quite like Jean-Paul Belmondo.
This Platinum Edition package falls just shy of definitive.
A tasteful rendition of a story that demanded a more macabre grasp.
No trace of cuteness can be found in The Match Factory Girl, the toughest and most concentrated of the trilogy’s tragicomedies.
Ozu’s final film is less a tragedy than it is a miracle of bemused resignation.
Released on DVD just in time for the presidential election, the film should enrage even more people than it already has.
Essential in the truest sense of the word.