Parasite earned four awards, edging out 1917 for best picture.
For Patricio Guzmán, to gaze at the Cordillera is to comprehend the range of history and the possibility of its distortion.
A lot can change on a campaign trail in a matter of weeks, days even.
Given the academy’s long history and resurgent embrace of technical triumphs, we’re not holding our breath for an upset here.
One of the realities of the Oscar race is that you never want to peak too early.
Oscar voters are suckers for scale, throwbacks, ostentation, and, above all, a sense of prestige.
One of the great mysteries of this year’s awards season is the ultimate fate of Jojo Rabbit.
The attractional dimensions of Roger Deakins’s work will have no problem finding favor with today’s Oscar voters.
The Oscars have a long history of awarding war films in this particular sound category.
Bet against a message of hope and you may find yourself losing an Oscar pool.
Another year, another reminder to take our prediction in this category with a grain of salt.
Forky rules.
The film is a fascinating, bewitching, and hitherto largely neglected entry in Lang’s canon.
Every film nominated in this category grapples with the nature of freedom in a world gripped by war and shaped by technology.
Parasite is a pervasive presence in the news cycle, and at just the right time.
Well hi, everybody, it’s nice to see you.
By the end, it’s as if a good doctor’s god complex has been taken up by the film itself.
Kon’s landmark feat of Japanese animation at last receives a home-video release worthy of its beauty.
After a while, all you see are the gears of various sublots turning separately until they mesh together and move in unison.
Criterion’s upgrade of one of the most important Italian films of the 1960s boasts a luminous restoration.