The series is, in its present and possibly final incarnation, about its makers answering to their audience.
The psychological thriller gets a hair-raing trailer, set to a cover of Petula Clark’s “Downtown” by Anya Taylor-Joy.
Like St. Vincent’s Daddy’s Home, the film is a hall-of-mirrors deconstruction of her musical persona.
Sparks is having a moment.
Boasting an upgraded transfer that blows its standard-def forbearer, Masculin Féminin is ripe for renewed appreciation.
We’re countering this Oscar year’s slow death of a thousand cuts by ripping the whole bandage off.
Anne Baxter’s riotous pursuit of Charlton Heston has never looked better than it does on this 4K edition of DeMille’s epic.
Soul gets a reference-quality presentation, but the supplements package (and packaging) lacks in, well, soulfulness.
This powder keg of a film gets an uneven A/V presentation but a confident and enlightening commentary track from Fennell.
Greenland is the most subdued disaster movie that Gerard Butler has ever made.
No Man’s Land mostly suggests a performance of allyship on the filmmakers’ part.
These are the individual ballots that determined the site’s Top 50 Films of 2020.
Now on 4K Ultra HD, Mad Max reminds us anew that few contemporary action films match its appetite for risk.
Zarchi’s cult classic gets a definitive home-video release from Ronin Flix.
The film gets a significant facelift from Blue Underground alongside a smattering of new extras.
Aronofsky’s influential hellride of a film gets a sturdy 4K upgrade and a few new extras that extol its technical merits.
Its revolving-door atmosphere papers over some iffy acting, baggy dialogue, and more than a few minutes of wasted real estate.
The short was inspired by a powerful involuntary mania that took hold of the citizens of Strasbourg just over 500 years ago.
The thrill of the film’s craftsmanship is inseparable from its main character’s abuse.
The Netflix miniseries suggests a sort of virtual, one-stop-shop Wikipedia page.