
The House Next Door: So, last night while watching Cyrus, the word I repeatedly jotted down was "honest."
Jay Duplass: Oh God, we're gonna start crying now.
THND: I'm wondering how you were able to keep and develop that honesty while working within a studio environment for the first time?
Mark Duplass: Well, we did work with a studio, but it's Fox Searchlight, so you know, this is what they want to be doing. That being said, it was a production with an 80- or 100-person crew, so we did have to take some extra steps to create an intimate set that can give you the honesty you're talking about. So the key for us was making sure that every set was a closed set. Jay on the camera, another cameraman, boom op, tops. And I would watch from a monitor and Jay and I would make sure to continue what we've always done, which is spend as much time as possible on the acting and with the actors. And keep everything technical that is happening out of the way of the actors. When you establish that set, it's almost like theater. It's just here, with the directors and the actors. Continue Reading »
No One Knows About Persian Cats (Bahman Ghobadi). In Tehran, being in an indie rock band can be extremely dangerous. After stints in jail and the constant fear of being caught playing "underground music," bandmates Negar and Ashkan decide they need to go to London to play their music live. They get introduced to Nedar, a fast-talking, hyper-passionate underground music know-it-all who, after listening to their CD among his pet parrots and stacks of illegally obtained DVDs, uses his web of connections to try and get them overseas. He promises to help them on their journey to find a backup band and visas (a U.S. passport on the black market is $26,000).
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