The House Next Door

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An Interview with Jay and Mark Duplass

Jay and Mark Duplass

The House Next Door: So, last night while watching Cyrus, the word I repeatedly jotted down was "honest."

Jay Duplass: Oh God, we're gonna start crying now.

THND: I'm wondering how you were able to keep and develop that honesty while working within a studio environment for the first time?

Mark Duplass: Well, we did work with a studio, but it's Fox Searchlight, so you know, this is what they want to be doing. That being said, it was a production with an 80- or 100-person crew, so we did have to take some extra steps to create an intimate set that can give you the honesty you're talking about. So the key for us was making sure that every set was a closed set. Jay on the camera, another cameraman, boom op, tops. And I would watch from a monitor and Jay and I would make sure to continue what we've always done, which is spend as much time as possible on the acting and with the actors. And keep everything technical that is happening out of the way of the actors. When you establish that set, it's almost like theater. It's just here, with the directors and the actors. Continue Reading »




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SXSW 2010: Dispatch Six

No One Knows About Persian CatsNo One Knows About Persian Cats (Bahman Ghobadi). In Tehran, being in an indie rock band can be extremely dangerous. After stints in jail and the constant fear of being caught playing "underground music," bandmates Negar and Ashkan decide they need to go to London to play their music live. They get introduced to Nedar, a fast-talking, hyper-passionate underground music know-it-all who, after listening to their CD among his pet parrots and stacks of illegally obtained DVDs, uses his web of connections to try and get them overseas. He promises to help them on their journey to find a backup band and visas (a U.S. passport on the black market is $26,000).

Negar and Askan's search for underground musicians through windy roads, basements, secret practice spaces is fascinating. At each stop, these real-life musicians play their music as the pair listen in, studying to see what and who will work with their band. These scenes often incorporate montages of Tehran street life. One of the most interesting segments concerns a rap group meeting on a floor of an unfinished building, and overlooking the city the group raps about class struggle in Tehran.

Bahman Ghobadi's film premiered at Cannes, winning the Special Jury Prize in the Un Certain Regard section and continued on to win several International awards. The film is a delicate and beautiful portrayal of the musicians in Tehran and how they struggle to do what they love. It is my hope that it will continue to play screens around the world. Continue Reading »




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