Mostly remembered for its plot twist, Jordan’s film is marked by a deep sense of empathy.
Criterion’s splendid box finally preserves Étaix’s cinema du Nouvelle Slapstick for the digital age.
Criterion welcomes this early Leigh masterpiece into the fold of contemporary classics with a stunning image and outstanding audio commentary.
A merely mediocre genre outlier, Cold Eyes of Fear gets a serviceable Blu-ray transfer, unburdened by much in the way of extras.
With the exception of a feature-length making-of doc, this release is identical to the previous Blu-ray edition of the classic comedy.
A woman’s heart is a deep lake of secrets. And dead bodies.
Criterion may not adorn Jubal with much more than a reliably top-shelf transfer, but the salvaging of a lost masterpiece is reward enough.
Not a game-changer as Blu-ray refurbishings go, but it’s always a pleasure to revisit one of American cinema’s more nuanced hook-armed avengers.
As delightful as William Castle’s movies are in any venue, you lose out on one of their most appealing aspects when you watch them in the atomized privacy of your home theater.
The most elaborate and tortured of all cinematic fashion shows has never looked more ravishingly decadent.
Here’s everything you wanted to know about The Great Escape but were too lazy to ask.
The underrated 3:10 to Yuma is really a character study masquerading as a genre film.
Would The Burning have been a better movie without the involvement of Bob and Harvey Weinstein? Wouldn’t any movie?
Four genre-defining gangster touchstones get a solid image and sound touch-up as well as oodles of extras.
Jean-Luc Godard’s most deliberately frivolous film remains a light-touch slice of New Wave romanticism.
Copacabana is simultaneously smarmy, sardonic, and sweet, a combination that’s occasionally scatterbrained but sufficiently entertaining.
Neveldine and Taylor’s great, widely under-appreciated Gamer returns to Blu-ray with an aptly superfluous third dimension.
Disappointing supplements notwithstanding, this release of the under-seen The Last Stand does well by a film that’s proud to be small.
Crimewave is a singularly entertaining watch, a platform for its makers’ most wildly unchecked, brazenly silly, excesses.
This is a brilliant and lamentably neglected gem of early-’70s underground filmmaking.
Warner Home Vidoe does good by Cloud Atlas’s technical skill.