Erykah Badu’s Worldwide Underground is less daring than it is just plain indulgent.
Rufus Wainwright is like a giant peacock.
Anything Else is just plain desperate.
Call it what you will, background music is rarely this lovely.
Fresh and inventive, Deliverance sheds light on the fact that certain troubles affect both sides of the track.
Chain Gang of Love could be the soundtrack to a murderous, perverted remake of Dirty Dancing or Grease.
Like the club-kid docu-drama Kids before it, Thirteen is a very real depiction of what life is like for a small faction of America’s teenagers.
First the good news: Love & Life is vintage Mary.
BT might be better off taking Beck’s lead and focus on one musical genre at a time.
Is this a metamorphosis from tween to teen? Actress to pop singer?
The Other Side of Daybreak takes Orton’s customary mixing of folk-rock songwriting and electronic studio wizardry to a literal level.
It’s not often that a 71-year-old is up for six awards at the MTV Video Music Awards.
It was inevitable really.
Jeff Buckley was much more than the tragic rock god he has become.
Dashboard Confessional’s Chris Carrabba is, much to his chagrin, the new metrosexual poster boy for Emo-lite.
The album is weighed down by soggy, overwrought pop ballads that find Simpson repeatedly declaring her devotion to Nick Lachey.
Werner’s debut, Departure, draws on a multitude of influences that range from Zepplin to Kate Bush.
Teitur’s solo debut, Poetry & Aeroplanes, plays like a sonic postcard from a nomadic artist.
The title track promises to extol the hardships of a touring artist but, like much of the album, it doesn’t deliver.
Unfortunately, the album is bottom-heavy with mid-tempo numbers and R&B balladry.