Have you ever heard the wolf cry to the blue corn moon?
Strictly for cock-juggling thundercunts and the people who love them.
To quote Simon Cowell, Les Choristes has “about as much passion as a kitten mewing.”
Thanks, Criterion, for keeping the film’s mystique of fakery alive.
National Treasure knows how to keep things moving but I was more entranced by the DVD’s interactive menus.
It’s probably best to enjoy this pinnacle of ’80s horror trash with the virgin mindset of its lead character.
Should whet the whistle of any J-horror fan waiting for 2005’s The Amityville Horror to reach DVD. Sigh.
On this single-disc edition of the film, you’ll have to settle for a theatrical trailer.
Throughout, the filmmakers remain as lovestruck by the story as its characters are with each other.
A nerdy Burger King commercial with zero laughs and even less social resonance.
The bad: no extras. The good: Rex Reed says it’s one of the best films of the year.
A hearty and sophisticated DVD presentation for a film that’s better than your average Hollywood stink pile.
Susanne Bier’s follow-up to Open Hearts is wonderfully acted but predictably plotted by Anders Thomas Jensen.
Where was Radley Metzger when you needed him?
The colossal failure of A Hole in My Heart is not entirely without precedent.
True to the spirit of its predecessor, State Property 2’s daisy wheel of violence represents a reckless glorification of thug life.
An embarrassment of riches, Bad Education addresses the almost vampiric relationship between audiences and movies.
You could say that mixing for a crowd of people is a hedonistic act of human tranceport, something this fictional biopic doesn’t quite grasp
Some of Birth’s brighter sequences readily show off the beautiful textures of Harris Savides’s incredible cinematography, but the darker sequences aren’t very flattering.
The more elegant Bobby and Peter Farrelly’s films have become, the less money they’ve managed to rake in at the box office.