Peter Raymont’s documentary extols the power of truth over fiction.
You mean, that’s the same place they shot the police station in Blade Runner? Well, guess I’m buying this DVD post haste.
The quote on the back of the DVD cover proves that anyone can sound like Earl Dittman if they’re taken out of context.
Fans will appreciate New Line Home Entertainment’s gesture of goodwill.
When you take interactive sex questionnaires, do you easily become sexually aroused?
Don’t miss the film for Al Pacino’s great scenery-chewing performance and bold expression of a great moral conflict.
It seems to exist in a memory deprivation tank flooded with hyper-saturated recollections and pop-cultural codes.
Nothing here is very fleshed-out, but it really does seem as if Jaume Collet-Serra had a lot of fun making this thing.
The film is effective in the sense that it’s always comforting to see not-so-nice people not getting what they don’t deserve.
Three Dancing Slaves suggests a conspiracy of sexual exploit committed against a handsome cast of actors.
Don’t miss the unrated puppet sex scene. It’s the shit!
Art and commerce collide on this two-disc DVD edition, a schizophrenic collaboration between Buena Vista Home Entertainment and the Criterion Collection.
A Hole in One gets brownie points for refusing to play straight and trudging on in spite of flailing helplessly at every turn.
Watching this unseemly-looking and self-obsessed film isn’t unlike being trapped in an abusive relationship.
The film quickly becomes a shapeless mess of half-assed intentions and untapped resources.
The film looks fabulous but it’s all very schematic.
Not only is Hindle Wakes ripe for rediscovery but it looks to teach our film and human culture a few lessons.
Paul Pavlikovsky’s follow-up to 2002’s Last Resort is also carefree and similarly anchored by the remarkable performances of its two leads.
The film is a remarkable synthesis of proto-feminist ideals and visionary aesthetics.
Have you ever heard the wolf cry to the blue corn moon?