Criterion’s transfer of Bahrani’s feature debut is a testament to the film’s vital, unglamorous depiction of New York City in the wake of 9/11.
The extras on this stellar release attest to the lasting importance of a filmmaker whose life and career were tragically cut short.
Kino shines a spotlight on an unsung Siodmak thriller and a particularly fine Charles Laughton performance.
Greenland is the most subdued disaster movie that Gerard Butler has ever made.
This set compiles a slate of overlooked films alongside an equally idiosyncratic series of extras.
Kino has outfitted the thriller with a beautiful transfer and a notable new commentary track.
After a while, the film’s parade of contrivances subsumes the acutely observed friendship at its core.
The film’s arguments against endless war end up seeming more than a bit disingenuous.
The film’s manic blend of gore and relentlessly cheeky comedy eventually leads to diminished returns.
The film weaves together the stories of five mostly nonverbal autistic teens to present a rich tapestry of the autistic experience.
The disc’s intimate extras attest to the rich, emotional core of Bing’s breakthrough documentary.
Robert Rodriguez’s film, like The Adventures of Sharkboy and Lavagirl in 3-D, fundamentally lacks a sense of wonder.
Arrow’s handsomely packaged box set offers stunning new HD transfers of the films and a generous heaping of incisive extras.
Iñárritu’s sprawling, kinetic debut feature gets a solid HD transfer and a generous heaping of varied extras.
There are enough left turns here to allow us to shake the impression that we’ve been to this rodeo before.
The documentary may be the defining portrait of the dawning of the Covid-19 pandemic.
This undervalued film receives a beautiful transfer for its Blu-ray debut, but the dearth of extras leaves much to be desired.
The first international edition of the Noir City film festival in six years showcases the diversity and malleability of noir.
Criterion’s stacked release helps make the case that the film is more than just an interesting curio in Jarmusch’s canon.
The film muddies its sense of moral righteousness by suggesting that violence and vengeance can only be defeated by more of the same.