Considering that “Person to Person” is the series finale of Mad Men, it’s best to start with its final images.
We may not be able to control the narrative of what happens to us, but we can at least manage how we react to these things.
Carol slots into Haynes’s filmography like a wintry, understated cousin to Far from Heaven.
The first and by no means last example of The Sea of Trees’s egregious literalism appears even before the film has properly begun.
The final act is an appropriate description for viewers who’ve struggled to connect with Orphan Black this season.
Lanthimos’s films live and die by their concepts—or gimmicks, depending on your outlook.
The most telling revelation in Tale of Tales has little to do with ugly sisters, transmogrified monsters, or angry ogres.
The title of last night’s episode of Mad Men comes from a handbook for hobos written by Nels Anderson.
The problem these men face is that there are plenty of boys who find themselves in positions of power, and that’s not even mentioning King Tommen in King’s Landing.
Focusing on the clones’ familial and romantic attachments, it offers a glimmer of hope for a return to form.
In horror anthology movies, the probability runs high that one or more tales will be terrible.
Last night’s episode of Mad Men is all about life as a series of entrances and exits.
Considering how many people are neither feared nor loved in “Sons of the Harpy,” respect is all that matters.
Perhaps the clever conceit of plumbing scientific texts for episode titles and structuring themes has run its course.
The dark truth at the center of the episode is that business is always personal.
Despite being home to the Faceless, the House of Black and White is filled with a variety of visages: statues to the various gods of Westeros.
Tonight’s episode of Orphan Black comes all too close to the grievous error of which its title warns.
Russell Brand has picked up a few tactics from Michael Moore.
For all its gestures toward taking a more thoughtful approach toward genre tropes, the film ultimately ends up conforming to them..
Like Cake, Meadowland takes a slow, painfully close look at the effects of a parent losing a child.