The film works best during its pedal-to-the-metal car chases, which are virtuoso musical numbers of screeching tires and vehicles.
Ingmar Bergman dies in the morning. Michelangelo Antonioni dies at night. On the same day. In the middle of summer.
Picking the five best Simpsons episodes is well-nigh impossible.
The looks of horror in Bill and Barb’s eyes come from very different places.
That was most certainly the voice of the Creator taunting the fragile Barry Cunningham in the dilapidated barroom of the Snug Harbor Motel.
Someday I wanna make a list of celebrities who’ve “admitted” to loving Doctor Who.
The film’s most unique quality is how it offers the chance to see how the series’s brand of humor goes over with a big audience.
Insofar as doings at SC are concerned, one of the most interesting aspects of “Ladies’ Room” is how it presents Don as seriously emasculated.
Bong risks an ending here that even something as great as Jaws would not dare.
A self-styled intellectual, Lorre had a quick, morbid wit.
The most interesting thing about Damages is its structure as essentially two mysteries at once.
If “Good Guys and Bad Guys” didn’t hit the heights that the last four or five episodes hit, it at least moved a lot of the show’s pieces further on up the game board.
The beauty of Live-In Maid is how it induces us to read these womens’ minds.
The lack of exposition in the pilot is one of its most seductive qualities.
In “The End of the World” Russell T Davies had the Doctor take Rose to the year 5 Billion to see the Earth explode.
My resistance may also be attributed to the fact that I don’t think it was a very well programmed double bill.
It’s frustrating first because it’s so good and then because it seems to mire itself in the plotline that’s the least interesting on the show.
Like Coltrane’s cover of “My Favorite Things,” John from Cincinnati is an extended riff on things familiar, now made strange.
Aee after the break for links to the three articles (par moi) that are mentioned during the segment.
Dread pervades Harry Potter and the Order of the Phoenix, the series’s most propulsive and altogether satisfying installment.