It has a myriad of fascinating aspects marking it, but one of the most noteworthy is that it’s the first televised Doctor Who story based on a book.
I think everyone has their personal daydream canon.
The use of The Best of Everything is a bit off, as Rona Jaffe’s novel was published in 1958 and the screen version was released in October, 1959.
The House Next Door will not publish any more stand-alone links to the Spielberg series.
Jean-Dominique Bauby’s story is one of struggle and perseverance.
I see now why lists can sometimes cause such headaches.
On the surface, everything is pristine and perfect.
“42” seems to have a few elements working against it: It’s highly reminiscent of “The Impossible Planet”/“The Satan Pit” from Season Two.
So much of what happens to Don in “5G” hinges on information that has yet to be revealed that it’s premature to evaluate the episode within the context of the series.
Big Love is obsessed (sometimes too obsessed) with the notion that our public faces conflict with the faces we wear in in private.
Revelation takes many forms, and David Milch chooses a more subdued and implicative tack in closing out this chapter of the show’s narrative.
A seamless story about memory and fantasy blurring together, Cría Cuervos is unquestionably Carlos Saura’s greatest film.
It’d be all too easy to write off “The Lazarus Experiment” as Season Three’s transitional episode.
The last act of “New Amsterdam” contains what are probably my favorite Mad Men scenes to date.
This one’s not just about cameos, but more specifically, cameos that add an intangible but palpable something to the films they grace.
Much has been made of No End in Sight’s exact focus, and its origins in Charles Ferguson’s academic background.
The best scene in the episode is the one when Bill takes his wives to the casino to see exactly what he wants to purchase.
The varied impressions of a discordant society finally banding together are offset by a concomitant sense of purgatorial limbo.
“Marriage of Figaro” begins with a bombshell revelation, albeit one that’s been hinted at somewhat: Don Draper probably isn’t Don Draper after all.
Any Dalek story that attempts such bold revisionism is bound to be a mixed bag, and this two-parter most certainly is.