The singer has teased a new release date for the set and announced a companion album to boot.
The Take Off and Landing of Everything gives us mostly familiar surroundings, but it makes for fine company.
Kiss Me Once continues an impressive streak of ruthlessly addictive dance music that dates at least as far back as 2001.
The majority of Wye Oak’s set did focus on songs their upcoming album Shriek.
There isn’t a single moment on Supermodel that could be acutely identified to represent Foster the People’s unique “personality.”
If you passed him on the street, you might mistake the Hold Steady’s Craig Finn for a stressed-out dad or high school chemistry teacher.
There’s undoubtedly something a little weird about seeing rock music in a strangely lit, tackily carpeted convention center ballroom.
Lost in the Dream masterfully conveys existential ambivalence with its vast distorted spaces.
It’s hard to call to mind another contemporary artist who so deftly employs sheer balls-out guitar skill as St. Vincent.
Day one of the music portion of SXSW marks the exodus of tech geeks and hustling entrepreneurs from the fest.
The duo employs the vintage sounds of the 1970s and storytelling beats of Blaxploitation movies.
With Abandoned City, Hauschka allows himself to add a certain depth of feeling to his usual showmanship and rhythmic panache.
Iggy Azalea and Charli XCX pay homage to Amy Hecklering’s ’90s cult classic Clueless.
Mirrors the Sky hearkens back to previous generations of female singer-songwriters without ever resorting to mimicry.
At its core, Atlas is an album about relationships and the passing of time.
Mastermind often feels like the hip-hop equivalent of a commemorative march for a triumphant ruler.
G I R L may have benefitted from a few more introspective trips back to the drawing board.
The shadowy, flirtatious Present Tense is Wild Beasts’s most cohesive effort yet.
Oxymoron feels a bit like a Scarface fan living in a Godfather world.
The Soul of All Natural Things is imbued with a tokenistic exoticism that feels forced.
Blank Project’s emotional content nearly suggests not only a second act, but a second debut.