Review: Paris 36

The film suggests what might happen if you threw Moulin Rouge and Amélie into the same high-speed blender.

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Review: Unmade Beds

Unmade Beds portrays its seekers as planets aspiring to bubblehood, or at least one tandem leap into the void.

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Review: Goodbye Solo

With Goodbye Solo, Ramin Bahrani continues to channel Iranian cinema’s social-realist aesthetic and interest in marginalized figures.

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