Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
What this dreamy tour of the French and Spanish countryside more accurately represents is the most attractively shot twin porn off all time.
American Swing is another testament to domesticated hedonism.
Clammy provocation and surreal fable, Ursula Meier’s film is predicated on thematic and sensory contrasts.
With Goodbye Solo, Ramin Bahrani continues to channel Iranian cinema’s social-realist aesthetic and interest in marginalized figures.
Anarchic craziness makes the revolutionary message go down smoothly in Louise-Michel.
The Perfect Sleep is an empty homage to a bygone genre.
Mid-August Lunch is at best a cute anecdote that scrapes by at just over 70 minutes.
Talk is the order of the day in Emmanuel Mouret’s amusing enough trifle.
The legacy of sexualized violence is the chief generational inheritance in Claudia Llosa’s incisive, carefully observed Golden Bear-winner.
Director Mark Brokaw, making an ill-advised leap from stage to screen, never finds a worthy tone for the film.
Relatively speaking, the film covers little in the way of new ground, but there isn’t a condescending bone in its body.
Though uneven, as the ironic portrait of an intensely disillusioned stop-motion community the film singularly succeeds.
Alexey German Jr.’s film harkens back to Russian cinema of the ’60s.
Too often it feels like a catalog of the worst offenses of films like Crash, Frozen River, and The Visitor.
As striking as it is enervating, the film exudes the aridness of a modest short unprofitably expanded to feature length.
Autumn mostly succeeds in illustrating how some art-house clichés never go out of season.
The stark melancholia of The Shaft achieves a rare authenticity.
The film possesses a comfortable feel for both its rural Oklahoma setting and Native American community, but little else.
Review: Stay the Same Never Change is catnip for devotees of Laura Mulvey and art installations.
BirdWatchers tells a story of great friction at once eerily poetic and didactic.