Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
This inferior Murnau tone poem merely drifts interminably along on gothic autopilot.
The film would have been helped immeasurably with a whole lot less of the intimate effluvia.
As the global economy crumbles, the documentary arrives malapropos to celebrate affluence and excess.
The corporate sheen of the film belies its sincere, casually fixated attention on the quotidian habits of his characters.
The film would seem calculated to serve up that least desired of cinematic offerings: a self-conscious, all-inclusive portrait of the Way We Live Now.
The film brings to mind a creaky, rusty theme park ride that one forbids their children from riding lest they contract tetanus.
This is a film that challenges any sense of resentment in identity building, and for that alone, it deserves wide praise.
Miss March is so awful as to make straight men loathe Playboy.
Part of that restless, productive team of mumblecore savants, Joe Swanberg allows his actors to do what they do best: act.
Luchino Visconti’s swan song is something of a genteel and stately affair.
Our long national lousy-horror-remake nightmare has finally—or at least temporarily—ended.
There’s a reason they call it adaptation.
Pinocchio redeemed Disney from the parlor trickery of Snow White and suggested animated features could indeed dance without strings.
The film seems more informed by low-budget History Channel programs and the proto-metal Norse lore of Led Zeppelin’s “Immigrant Song.”
Animals have a spontaneity, a naturalism, a genuine screen presence.
The filmmakers attempt to pack a miniseries’s worth of familial drama into an 85-minute running time.
Carmen and Geoffrey misses a crucial opportunity to cogently argue the significance of black diversity in the heritage of 20th-century dance.
Director Catherine Jeffs lucked out when she scored Amy Adams and Emily Blunt to co-star in her mildly pleasing dramedy Sunshine Cleaning.
Not since Larry David’s Sour Grapes has a film kicked off by so thoroughly painting its protagonists as deeply unlikable souls.
Boy and girl meet cute, argue, have problems, get together in the end.