Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
Here, Mapplethorpe is just another tormented queer destroyed by his tendencies toward vice.
The film is an outrageous, hilarious, and amazingly unpretentious trip through a funhouse of sexual identities.
Chiwetel Ejiofor announces himself as a sensitive, shrewdly restrained filmmaker with his quietly assured directorial debut.
The Oscar-winning actor discusses working with Asghar Farhadi and his thoughts on guilt, the power of fatherhood, and more.
No one is okay with the Academy Awards the way they are, and everyone seems sure that they know how to fix them.
The industry’s existential crisis has polluted this race so thoroughly that it feels eerily similar to the 2016 election cycle all over again.
Claire Simon knows that the best way to capture the anxiousness of a moment is to leave it unembellished.
After walking back almost all of its bad decisions ahead of this year’s Oscars, there’s no way AMPAS isn’t going to do the right thing here.
The film is noteworthy for its rumination on the subtle costs of its characters’ newfound prosperity.
The film largely plays its scenario with a straight and gooey face, coaxing its actors to indulge their worst tendencies.
Director Ty Roberts’s film is unable to realize that its subject matter is that of a horror story.
‘Wrestle’ Review: An Intimate and Humane Portrait of High School Grapplers in Alabama
The documentary shines a piercing light on the sorts of people that our governments would too often rather forget.
This season, Hollywood is invested in celebrating the films they love while dodging the cultural bullets coming at them from every angle.
Watch: The Souvenir, Starring Honor Swinton Byrne and Tilda Swinton, Gets First Trailer
Joanna Hogg has been flying under the radar for some time, but that’s poised to change in a big way.
For appealing to voters’ nostalgia for drunken karaoke nights of yore, one film has the upper hand here.
If it were biologically possible to do so, both Ed and I would happily switch places with A Quiet Place’s Emily Blunt.
If, in the end, the film’s narrative fails to cohere, the journey getting there is at least enjoyably swift-paced.
Bernardo Bertolucci’s film is a living, fluid organism that spans the distances between several poles of extremity.
Sometimes it’s important to just step back and pay your respects to a remarkable actress.
Alongside fiction films depicting emerging voices, nine of the Panorma sidebar’s 45 features are documentaries about creative talents.