This year brought 18 features and seven shorts, all presented with live musical accompaniment.
The festival’s greatest singularity is two-fold: its lack of pretense and judicious curatorial eye.
A highlight of this year’s festival was the focus on the work of Basma Al-Sharif.
What makes IFFR so endearing is an atmosphere that’s joyful and devoid of self-importance.
In its new iteration, Under the Radar, which runs through January 21, hasn’t missed a step.
From 30 Seconds to Mars to Rina Sawayama, we’ve compiled our favorite moments from weekend two of ACL.
Many of the ghosts and whispers of the past were on display at the festival’s 48th edition.
If there was ever a time when we needed to be reminded that the art of cinema is in robust health, it’s now.
This year’s festival was the site of more than a few alternately jarring and fruitful clashes.
The 26th San Francisco Silent Film Festival was another joyous gathering of silent cinema.
Marseille’s contradictions were particularly evident at this year’s FIDMarseille.
The festival survived the trauma of lockdown to demonstrate impressive potential this year.
The film industry’s tribulations were the focus of some of the Korean competition’s best entries.
All three films are highlights of the festival’s the international competition
This year, a theme emerged centered upon reflections of worlds ending, worlds forever changed.
The previously announced Killers of the Flower Moon will screen out of competition.
It turned out that the absence of so many major publishers from the convention was a blessing.
At this year’s BFMAF, the lines between documentary and fiction were blurred in productive and challenging ways.
One might say that the IFFR puts the “jaws of life” to the test on cinema.
A united community is a powerful force that can be used for healing or destruction.
Many of the films at this year’s Doclisboa were meditations on colonial oppression, environmental degradation, and resurgent imperial warmongering.