This year brought 18 features and seven shorts, all presented with live musical accompaniment.
This year’s festival didn’t lack for at once poetic and political works of art.
The tension between the simple and the intricate runs throughout this year’s work.
This curatorial eye felt like a particularly precious gift this year
This year’s festival boasted 19 features, 11 shorts, a fragment of an otherwise lost film, and more.
This year’s slate provides a lucid window on a world in a state of turmoil and reinvention.
Expect more than one of these games to become breakout hits in the upcoming year.
The festival’s curatorial boldness has never felt so necessary.
In the last two years, the festival’s programming has grown riskier and more boundary-crossing.
The 49th edition of the festival was a showcase of more liberal sentiments and artistic styles.
This year’s edition of the festival is a cinematic cornucopia unlike any other.
Death Will Come is a conspicuously de-glamorized tale of violent characters on society’s fringes.
These found-footage films further solidify Jude’s status as one of our most vital artists.
It’s Not Me begins with a modest “I don’t know” as a riposte to a proposed riddle.
These three films bear the scars from a region’s history of violence like a fertile inheritance.
TCMFF continues to valiantly pursue the preservation of Hollywood film history.
For its 27th edition, the festival presented 20 features and six short films over five days.