Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
The Texas-born Shults talks about the film as a product of our moment.
He discusses staying excited about new projects, the luscious power of the theater, and more.
Demetri discusses how an early confrontation with mortality gave Dean its shape and resonance.
Mohammad Rasoulof and Abbas Kiarostami’s films ask fundamental questions without proffering easy answers.
Piñeiro discusses his approach to Shakespeare, the meaning of objects, and his evolving visual vocabulary.
In the course of ranking the episodes from Twin Peaks’s first two seasons, aggregates or clusters of episodes tend to stick together.
Like everything else Coppola-branded, Eleanor’s film is a family affair.
The actress is quick to laugh, yet thoughtful in her almost free-associative answers.
It’s hard not to read Alain Cavalier’s portraits as conflicting analogies of where France has been and where it’s heading.
Jacobs discusses the chemistry between Winger and Tracy Letts and how it felt to cede ownership of his film to viewers.
Among our topics of conversation is why Frank Darabont sees him as a latter-day John Garfield.
These are the best albums of 1999 as selected by Slant’s music writers.
These are the best albums of 1998 as selected by Slant’s music writers.
These are the best albums of 1997 as selected by Slant’s music writers.
These are the best albums of 1996 as selected by Slant’s music writers.
These are the best albums of 1995 as selected by Slant’s music writers.
These are the best albums of 1994 as selected by Slant’s music writers.
These are the best albums of 1993 as selected by Slant’s music writers.
These are the best albums of 1992 as selected by Slant’s music writers.
These are the best albums of 1991 as selected by Slant’s music writers.