Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
The resilience of retroism was, this year, tinged with the irony of watching those not knowing the past being doomed to repeat it.
With some time and distance, 2017 may end up meaning for video games what 2007 or 1999 meant for film.
The actor discusses how he throws himself physically into his roles.
Trier discusses the challenges he sets up for himself as a filmmaker with each new project.
We spoke to Seimetz about achieving a “live wire” atmosphere on set.
Berlinger discusses why audiences have responded so well to his latest documentary.
Lady Bird actress Laurie Metcalf discusses how being shy helped her as a young actor.
The filmmaker discusses the trust in the freedom of risk and discomfort.
Baker discusses how he works with first-time actors and why it’s hard to make character studies for American audiences.
Östlund says that he has no qualms about skewering his characters’ more blatant hypocrisies.
We talked to Urie about what it was like taking on the role originally made famous by the playwright Harvey Fierstein himself nearly four decades ago.
Biscayart discusses acting as a form of therapy and why more people should think about dying.
We talked with Ai about his new film’s political and aesthetic virtues.
We discussed depicting the past and politics, as well as the crossover between JR and Varda’s art forms.
Films from two of our most prolific auteurs will open and close NYFF this year, but more noteworthy are the eight films in the main slate made my women.
Harry Dean Stanton was the great supporting actor of American cinema.
The brothers discuss the hot-button issues at the film’s center and their unique filmmaking approach.
Wingard discusses how Death Note fits into his larger career ambitions.
Stanfield discusses why acting in Get Out was an out-of-body experience, how the internet nurtures creativity, and more.
The Oscar-winner discusses her activism and the liberations of shooting a complex film quickly.