Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
His films are obsessed with the ambiguity of villainy and the perishability of the human spirit.
The filmmaker discusses her inquiry into Argentina’s colonial past, shooting on digital, and more.
Ramsay likens Joaquin Phoenix’s mesmerism to that of Samantha Morton in Morvern Callar.
Sevigny discusses her early work and navigating the male-dominated world of her profession.
Haigh discusses the theme that runs through all of his work: our struggle to feel less alone.
Our talk was rich in segues and digressions that illustrate how they weave their lives into their art.
The festival is rich in contemplations of identity, tradition, and more that straddle the line between truth and fiction.
Cantet makes films as much to educate himself as to encourage us to question our beliefs.
Through metaphors, Amalric analyzes his art while engulfing it in a preservative mystery.
Tucci discusses carrying Giacometti and James Lord with him for the better part of his life.
This talented, hard-working thespian’s feeling for tumult is matched by his feeling for concision.
The artist discusses the role photography plays in his work and the sculptural nature of farming.
The legendary composer/producer discusses Ray of Light and Leonard Cohen’s final days.
Reigel discusses working with Sally Menke, how editing a film is like attending a dinner party, and more.
If there’s a constant in Jordan Harrison’s body of work, it’s his ability to surprise.
The actors discuss The Party’s political satire, Sally Potter’s approach to her screenplay, and more.
Unkrich discusses the challenges of making a film about Mexico when you’re “a white guy from Ohio.”
Ozon discusses finding fresh ways to approach his favorite genre.
The filmmaker discusses shooting and editing his film, and working with Adam Horovitz.
The actors discuss their new film and the persistent pressure to couple up.