Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
Reiner discusses the surprising new urgency that his new film took on after the 2016 election.
Burnham discusses how his film is an extension of his comedy work.
It’s clear that at 70, the trail-blazing author of the seminal work Gender Outlaw is still a formidable force to be reckoned with.
We spoke to the Belgian-born titan of the theater about the experience of bringing new life to Visconti’s provocative The Damned.
Van Sant discusses the long road in bringing late cartoonist John Callahan’s life to the screen.
Granik talks about how she learned to connect with those in the heartland.
The acclaimed musician discusses his fight against cancer and his unique approach to music.
These films are united not only by their greatness but, with one exception, by their relative obscurity in the pop-art landscape.
Legrand discusses how his filmmaking connects to pressing social issues off screen.
We’re taking a look back at Trent Reznor and company’s catalog and ranking all of their releases from worst to best.
The actress discusses how she’s learned to protect herself from the afflictions her characters endure.
Foster discusses her relationship to genre films and the alternate lives she kicks herself for not having led.
Schrader discusses when an artist should show his internal critic the door.
The actor discusses the social fabric of Matthew Porterfield’s film and growing up in Baltimore.
Most film critics have a pretty good handle on what it is a director does, what a cinematographer does, what an editor does. Acting, however, remains a little bit mysterious.
Beauvois discusses his new film’s feminist core and his connection to improvisation.
The actress discusses the process by which she’s presently devevloping properties for herself.
Leilo discusses finding the balance between his characters’ respective narrative arcs.
Twist discuss his work, new and old, and the direction he’s going in as we approaches 50.
The actress discusses the film’s vacillations in tone and how she finds her characters.