Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
The filmmakers discuss their ideas in an ardent repartee that’s quintessentially New York.
Among other things, Plaza spoke to us about how having a stroke at age 20 has informed her work.
Bonello discusses the intersection of pop culture and terrorism, Dawn of the Dead, and more.
Dowd often slipped into character while talking, as her own past self or one of the women she’s played.
On the occasion of the release of Detroit, we look back at the filmmaker’s kinetic body of work.
Kogonada on working with Haley Lu Richardson and John Cho and seeking “modernism with a soul.”
The filmmaker discusses the stories that hide in between the lines of art.
Mooney talked to us about nostalgia, VHS collecting, and getting trolled by Donald Trump.
Weinstein discusses filming one of New York’s most cloistered communities.
Houston’s best songs are a testament to not just her gift for interpretation, but her ability to out-sing just about anyone.
DeBessonet sits down with us to discuss directing her first Shakespeare in the Park production.
Rossi discusses how he brought Okpokwasili’s vision of radical empathy to the screen.
Bright Light Bright Light is a charismatic, magnetic performer, often funny but refreshingly sincere.
Lowery discusses his outlook on jumping back and forth between Hollywood productions and micro-budget indies.
The actor discusses how he brings to life a remarkably specific strand of white-collar evil.
Morris discusses his new film’s meditation on changing times, mediums, and identity.
Peppermint talks about her experience navigating the world of drag as a transgender woman.
Nanjiani discusses standing up to racists, whether he might be a desi Sidney Poitier, and more.
Our talk ranged from the common themes that unite her films to Jason Momoa love of knives.
Let’s not fool ourselves: There’s only one truly great film with a killer shark at its center.