Rohrwacher and O’Connor discuss the ethereal qualities of the film’s main character.
The actor discusses coming onto the set of Slow West like a wrecking ball, those Star Wars rumors, and more.
The actor discusses what drew him to Far from the Madding Crowd and Vinterberg’s approach to improvisation.
The Emperor’s New Clothes suggests that Russell Brand has picked up a few tactics from Michael Moore.
The Cut lives up to its title, creating two sets of strong, sometimes dueling reactions.
The star and director spoke to us about the haunted intimacy of Meadowland from this year’s Tribeca Film Festival.
Tsai spoke with us about making Rebels of the Neon God and his participation in the film’s recent HD restoration.
The auteur discusses his Clouds of Sils Maria’s two-hander premise and working with Binoche and Stewart.
The Ned Rifle filmmaker spoke to us about where he sees himself plying his trade in an ever-changing industry.
The filmmaker discusses While We’re Young’s documentary style and the search for truth not only in his own art, but also within himself.
J. Davis’s Manson Family Vacation is a disarmingly unpredictable tale of reconciliation between two brothers.
Twinsters is a charming, energizing, and sometimes moving meditation on what it means to be a family.
The inclusivity of this Melissa McCarthy showcase leaves plenty of room for the rest of the cast to stretch their comedic legs.
Those familiar with Les Blank’s malleable approach to documentary production will recognize that energy in its nascent form.
It’s so easy to take images for granted in our media-saturated, selfie-happy culture, but that’s a luxury the subjects can’t indulge in.
The Nightmare seems frustratingly content with alarming us with shock cuts and surface-level boogie monsters.
The films detour down stylistic back roads that yield new perspectives on the art/life divide.
Mitchell discussed with us the origins of the spellbinding It Follows, his thematic fixations, and his relationship to genre.
The agelessness of David Cronenberg’s films springs from an uncommon authorial focus.
The festival’s program has never felt so scattered, a sensation that I found delightful.
The 45th edition of IFFR will be the first in nine years without current artistic director Rutger Wolfson at the helm.