Occasionally, the film reminds you that the man who made Mean Streets is behind the camera.
A very good film reconstructed into a classic, Fuller’s WWII epic is not to be missed.
Art and commerce collide on this two-disc DVD edition, a schizophrenic collaboration between Buena Vista Home Entertainment and the Criterion Collection.
Don’t miss the unrated puppet sex scene. It’s the shit!
I’d like to presume that Lynde is removing lipstick from his teeth, and not Vaughn’s short curlies.
If Custer’s beyond-the-grave wish was to protect the Native Americans from corporate cretins, then I’m Errol Flynn.
Love Me or Leave Me is painted in broad strokes, sometimes too obvious, but the actors lend a rich subtext.
The film casts Kirk Douglas as a selfish artist who gets his comeuppance, but it’s a theme that smacks of bullshit.
Not only is Hindle Wakes ripe for rediscovery but it looks to teach our film and human culture a few lessons.
This dismal bore is for Bette Davis completists only.
Have you ever heard the wolf cry to the blue corn moon?
Ignore Fox Mulder’s mantra: You can trust The Lone Gunmen.
Strictly for cock-juggling thundercunts and the people who love them.
The miscasting of Errol Flynn doesn’t distract from the many great set pieces.
To quote Simon Cowell, Les Choristes has “about as much passion as a kitten mewing.”
The Sea Hawk is a fun swashbuckler that follows the reliable Errol Flynn template.
National Treasure knows how to keep things moving but I was more entranced by the DVD’s interactive menus.
Thanks, Criterion, for keeping the film’s mystique of fakery alive.
Judge for yourself. I’m late for my appointment to get my head examined.
Shiver me timbers, that Errol Flynn’s got some pretty hair for a pirate.
Should whet the whistle of any J-horror fan waiting for 2005’s The Amityville Horror to reach DVD. Sigh.