Turns out, Hammer was still making entertaining and even innovative films in the 1970s.
The film is most notable for capturing Simone Signoret in color for the first time and at her most impatient as an actress.
From the East is the perfect way to ride that fine line between watching a movie and dazing with it.
Criterion’s edition of Monsoon Wedding is a comprehensive and beautiful presentation of a key work in Mira Nair’s career.
Madonna’s mother died when she was six. But you knew that already. The rest you probably didn’t know, but should.
Following the recent release of Criterion’s Pigs, Pimps and Prostitutes box set, the posthumous celebration of a Japanese master continues.
Cheri has its problems, and given the dubious video presentation on this DVD edition, now it has more.
This indifferently made TV-horror flick will inspire more snores than scares.
This Eclipse set is like a triumphant middle finger: It’s up to you to take offense or pleasure yourself with it.
Throughout, humor and romance are interspersed so predictably that it’s as if screenwriter Pete Chairelli were working from a rom-com checklist.
This Blu-ray preserves the integrity and beauty of Demme’s film.
Maybe we have to accept that Disney doesn’t trust Blu-ray enough as a format to simply release the high-definition discs alone.
This Marlene edition’s bare-bones production might prompt a Dietrich-like hissy fit.
Miike makes so many movies that his only truly essential one should get a deserving HD release. No such luck, sadly.
Unfortunately, there are no extra features on this release aside from a lengthy trailer.
A striking Blu-ray transfer that does justice to the formalist experience that is The Girlfriend Experience.
Nothing revisionist, but this collection is a warm, pleasant reminder for fans and a good start for newbies.
Given the lack of technical flair on display, saying this DVD transfer does justice to the material is hardly praise.
Treeless Mountain is notable for its ambiguities and performances of its two young leads.
An admirable Sienna Miller effort isn’t enough to save this strange, plasti-quirky mess.
For better or worse, it stands testament to the fact that at least one segment of the counterculture had no place for women.