Review: Mohawk

Ted Geoghegan’s Mohawk is a survival-of-the-fittest film that’s charged with a thunderous urgency.

Review: Werewolf

It achieves a strange irony, as its formal abstractions serve to heighten our emotional connection to the characters.

Review: Mute

Mute’s narrative is a self-consciously odd and stillborn mix of missing-person mystery and rehabilitation parable.

Advertisement

Review: Loveless

One feels in the punishing bleakness of director Andrey Zvyagintsev’s Loveless a yearning for transcendence.

Advertisement

Review: Golden Exits

Alex Ross Perry’s Golden Exits sustains a lingering aura of futility that’s counterweighted by the film’s beauty.

Advertisement
1 27 28 29 30 31 86