This set is a beautiful, painstakingly contextualized restoration of a genre- and medium-bending masterpiece.
Terror gradually leaks into the narrative, transforming Where Is Kyra? into a haunting non-traditional thriller.
The filmmakers don’t bring the main characters’ contrasting methods of divining truth into total opposition.
Our talk was rich in segues and digressions that illustrate how they weave their lives into their art.
The miniseries derives its politics less from platitude than from an uncompromising sense of emotional irony.
In a city known for reinvention, anyone can be anything, which implies that everyone is also no one.
The film is a collection of old-fogey clichés, with a narrative that mixes a career retrospective with a road trip.
The moral lines dividing the dueling parties in Billions have grown compellingly murky in season three.
This disc correctly insists that the film is an astonishing achievement that belongs in the canon of classic American cinema.
Roxanne Roxanne’s actors allow writer-director Michael Larnell’s familiar material to sing.
The film savors its obviousness and cruelty as badges of honor.
Roseanne’s embrace of a resolutely old-fashioned format feels unusually resonant throughout its new season.
Through metaphors, Amalric analyzes his art while engulfing it in a preservative mystery.
This restoration of Suspiria is revelatory and head-spinning.
Flower is a sentimental work of faux nihilism, pandering to children who’re just discovering alienation.
Throughout, Rainer Werner Fassbinder delights in the little moments that embolden routine with a spark of possibility.
Arrow Video offers a vital, beautiful, and bracingly irreverent presentation of Frank Henenlotter’s cult-film classic.
Hong Sang-soo’s Claire’s Camera is governed by a narrative circle that suggests relief as well as entrapment.
Andy Goldsworthy’s landscape-based sculptures explore impermanency as a sign of grace and transcendence.
Chris Hondros sought to reconcile peerless beauty with unfathomable atrocity, and Greg Campbell’s film follows suit.