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The Best and Worst Reactions to AFI's "100 Movies, 100 Years" Update and Hostel: Part II

By: Ed Gonzalez On: 06/22/2007 13:38:49 In: Lists Comments: 10



Best Reaction To AFI's "100 Movies, 100 Years" Update: Eric Henderson, over email, stating, "I admit it…I watched the new AFI Top 100 list tonight and, despite a bunch of shit still being on the list throughout, I was overall embarrassingly impressed with the fact that they managed to move Vertigo into the top 10 and The Searchers and The General (which wasn't even on the last list) into the top 20. And Nashville. Fuck yeah!"

Worst Reaction To AFI's "100 Movies, 100 Years" Update: Gold Derby non-critic and "Hollyweird" award shill Tom O'Neill, who, after bemoaning the "slap" given to fucking Patton of all films, intones in what may be considered an impersonation of Rip Taylor, "The old list had a few other priorities right, too. Psycho is surely Alfred Hitchcock's best film, not Vertigo, which just zoomed waaaaay up, up, up from #61 to where you'd think it'd get dizzy at #9." Oy. Well, at least he thinks Taxi Driver is better than Raging Bull.

Best Attempt At Turning AFI's "100 Movies, 100 Years" Update Into Something Valuable: Matt Zoller Seitz, responding to a comment made to his Links for the Day blog entry for The House Next Door, states that he kind of likes the list "because it gives you a better sense of how collective taste shifts over time than the critics polls or the Guardian-style, 'Let's see what the readers think' polls" before allowing the conversation to shift into a discussion of the suckitude of Godard's post-'60s cinematic output.

Most Convincing Defense Of Eli Roth's Indefensible Hostel: Part II: Dennis Cozzalio's intelligent, non-kneejerk critique of the film (not to mention his takedown of the term "torture porn") for his blog Sergio Leone and the Infield Fly Rule. Cozzalio's equitable praise is so compelling I'll ignore for the moment that I don't think he's ever seen a giallo film in his life.

Least Convincing Defense Of Eli Roth's Indefensible Hostel: Part II: Anything written about the film for sites with the words groucho, chud, juice, fear, and LYT in their names.

Best Takedown Of Eli Roth's Delusions Of Grandeur: Michael Koresky's review of Hostel: Part II for Reverse Shot—the best piece of film writing you may read all year. Koresky gets everything right about what's wrong with Eli Roth and the "cultural black hole" his movie represents. Few critics appreciate, let alone care to understand, the horror genre, past or present, but Koresky gets everything about what filmmakers like Roth are doing to film culture. Can't wait to read Koresky's thoughts on Trade, a "geopolitical-issue porn" that seems to have been ghost directed by Roth himself.

Best Completely Unrelated Video Of The Day:



Violá! The Top 10 Compilation Page

By: Ed Gonzalez On: 02/16/2006 00:56:14 In: Lists Comments: 208

As promised, I've created a page on the Slant Magazine server that amasses all Top 10 lists I've unveiled here in the last few months, meaning I can now resume writing more Notes from the Underground columns, which will likely consist of mini write-ups of films I see throughout the week. Click here to see (and bookmark!) the page; right now, the aesthetic is totally bootleg, but I may spruce it up at some point (maybe a picture of Mulholland Drive at the top?). Rather than having to scroll through the entire page and spot the gray highlights, would a notes section that catalogues the latest 10 or so additions be easier on the eyes and brain? Does the title of the thing make it sound as if I died last year in my 90s? Should I pick a more gender-neutral color as the background for the page? All comments and recommendations can be made here or through the Top 10 page—since both locations now share the same comments section. I'd actually really appreciate if people suggested Blind Spots for the years where there are few or no films listed in that section. Peace out.

100 Greatest Dance Songs

By: Sal Cinquemani On: 01/30/2006 00:57:30 In: Lists Comments: 210

100 Greatest Dance Songs

A suggested alternate title for Slant's 100 Greatest Dance Songs was "100 Greatest Dance Songs (Disco to Eternity)," but since we're prone to changing our minds frequently and since dance music is one of the most quickly evolving genres, time-stamping itself like 54-era polyester pants and shiny Limelight-era, uh, polyester shirts, we decided that "eternity" was a bit too set-in-stone. The multi-tiered selection process was fairly democratic, but many of our personal favorites—songs that are near and dear to our dancing shoes—fell by the wayside. Here's a shortlist of some of those omissions:

Paula Abdul, "Vibeology" (Ed)
Amber, "Yes!" (Sal)
Björk, "Violently Happy" (Sal)
Kerri Chandler, "Rain" (Eric)
Daft Punk, "Musique" (Eric)
Samantha Fox, "Love House" (Sal)
Evelyn King, "I'm In Love" (Rich)
Cheryl Lynn, "Star Love" (Eric)
Madonna, "Erotica" (Ed)
Jamie Principle, "Your Love" (Rich)
Stevie B, "In My Eyes" (Rich)
Danny Tenaglia, "Elements" (Ed)

Memorable Quotes From The Selection Process:

Countless emails and messages were circulated throughout the arduous selection process. The emails were mostly informative and insightful, sometimes infuriating and self-important, but almost always funny as shit…at least to us. We've picked out the best ones for your reading pleasure:

"Let me preface this email with a quote from Greg Tate's anti-Cold Mountain article 'Blacked Out' from The Village Voice a few years ago: 'My sisters overlook the more earthly, progressive romance between Juliette Binoche's army nurse and Naveen Andrews's Indian demolition expert, but since movies intend to work on the body and nervous system like music, critical responses to them never have to be rational or evenhanded. We all respond to movies based on our subject positions, and our own dark pasts demand to be heard from.'"

"The black men [Björk has] fucked have more right to be on this list than she does."

"I was chatting with Sal last night and he came up with the ideal opening statement for the article. I can't quote it verbatim, but it went something along the lines of: 'This article is about the Greatest Dance Songs, not the Greatest Dance Songs in Eric Henderson's CD Collection.'"

"Call me old-fashioned, but I like beats."

"Do you guys remember La Tour's 'People Are Still Having Sex'?"
"I do. And I wasn't, at the time."

"Maybe I just associate 'Got To Be Real' with unhappy afternoons with Jenny Jones."

"I just feel like I've heard ['I Will Survive'] so much, it's irrelevant. It doesn't need our mention."

"So basically all disco sucks unless it was produced by Moroder."

"I won't be happy with ['The Pleasure Principle'] as the song sounds like someone vomiting into my mouth and telling me I'm a fun-hatah for spitting it out, but Janet isn't worth Mariah-level hystrio-discourse."

"As Orwell wrote, some remixes are more equal than others."

"If you can't dance AND fuck to it (which includes ironic dry humping), it probably ain't no good..."

"Call me whatever you want ("faggy" is a good place to start, as always)…"

"Do you like 'Erotica'? I can't imagine a list like this without one track from the bitch's one fag underground album..."

"Who is Armond White?"

"I think, and Tyra Banks might agree, that there's an art to listmaking."

"Sojourner Truth, ladies and gentlemen..."

"Who are you, Christina Crawford?"

"I don't know if you know this but Sal is allergic to even numbers. Tonight, I saw this really bad movie, The Thing About My Folks. Peter Falk, who's getting inexplicable Oscar buzz for his performance, farts every 20 minutes in the film. After the third time, I knew Sal would probably love it."

"If Stacey Q recorded five of the greatest dance songs in history, they all deserve to be on our list otherwise the title of the list is a lie."

"If marriage is only between a man and a woman, then a song has to have singing in it."

"But Sal, dance music makes the people come together!"

"It's going to sound super fake if I'm pontificating on Chicago house's femme/butch binary as though it's just some ordinary conversation. Believe it or not, when I open my mouth, a pocket protector does not fall out."

"So, I think the schism isn't tight vs. loose anymore. It's dance music that takes it to church vs. dance music that takes it to the pansex bathroom."

"The reason I nominated 'Tainted Love' is because I heard it on the radio and for some reason it just sounded EXCELLENT on my clock radio."

"I moderately objected to runner-up votes placing certain songs above similar songs I had already given my unmitigated love to, as though I and a friend were held at knifepoint and then told by the assailant to choose whose balls he would presently cut off. I mean, obviously I'm going to say, 'Hey, what's that over there?' and then run away, leaving whatever poor sucker was unlucky enough to be my friend that night behind to have his balls cut off...Am I totally alone on that?"

"Don't make me retract my vote. I'll do it."
"So do it. You'll just have to vote for something else you probably don't like."

"Picture an episode of The Golden Girls where Blanche loses her cool and takes her frustration out on Rose, and when Rose gets that wounded look on her face, Blanche immediately gets really really southern and is all "Oh, hunnnn-ay, I'm so soh-ray, I didn't mean that!" That's sort of how I feel lately about this whole project. Except I'm Dorothy, watching from the sidelines and silently judging. Always judging. A dumb cunt. Fuck, I can even taste the cheesecake curdling in my goddamned mouth."

"I brought up the fact that we're still hashing this list out to my [co-worker] last night, and he looked at me funny and quipped, 'They wrote the Federalist Papers faster than you guys with this list!'"

"[Joe Bataan's] 'The Bottle' made me feel like I was strolling the produce aisle at the supermarket."

"My mom just bought $350 worth of meat from a door-to-door salesman."

"This is the most important list Slant has ever done or will ever do."

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