Sawdust and Tinsel is Bergman’s first film where the idea of humiliation, specifically sexual humiliation, becomes crucial to his conception.
Like clove cigarettes and emo hoodies, some things just go better with teen angst.
As a multiethnic society, Malaysia bears the influence of both its Malay majority and its strong Chinese and Indian minorities.
Heroes takes a turn for the dull again with a wrenchingly uninteresting super-flashback.
This is a wild movie on a very large scale that’s bound to alienate a lot of people.
“Out of Time”, gorgeous throughout, ostensibly tells the story of three individuals lost in time thanks to a temporal anomaly caused by the Cardiff Rift.
The problem is the world is full of people.
The more I write about this episode, the more impressed I am with the amount of characterization that was packed in.
Robinson Crusoe on Mars is almost unsurpassed in its scientific accuracy.
Heroes finally kicked into gear on Monday with its seventh episode of the season.
If you don’t know Mick Jones from Steve Jones then you’ve no business watching Julien Temple’s film.
It plays as if an episode of Doctor Who wandered off and got lost, only to find itself somehow on Torchwood.
With Coach Taylor back where he belongs, at home with Tami and at the helm of the Panthers, the show serves up its most season one-line season two episode yet.
The user-tailored, specialized nature of the Internet is central to LOL.
Simon J. Smith and Steve Hickner’s film is a satire afraid of its own sting.
The film is indeed a kind of secret sunshine in its first act, offering some quiet, embracing, jaunty realism.
Graduation is Kanye’s third and most underwhelming album for reasons that would generally be considered virtues.
“The Line” is evidence of the lack of progress the show has made since returning in September.
What? you may be asking. A symphony—especially one that runs nearly 90 minutes long? And why Mahler?
This is an exploration of the human character, unfolding in unexpected ways in a unique context.