We discuss Vadim wanting to watch Toys as a six-year-old, the incompetence of Mark L. Lester, and more.
We discuss filmmaking as a job, The Dark Night, appreciating bad blockbusters that feel, and more.
A “review” of sorts that makes no pretence to politeness gets to the core of the problem for skeptics.
The summer keeps going as we talk shop with Robert Greene and his new documentary Fake It So Real.
Our first of order of business—can you find the moment where I flubbed the original recording and had to do a hard audio edit?
We’re back with episode 3, and are joined at Grassroots Tavern by Alex Ross Perry.
This is the sixth (!) season premiere of our glorious little time at my beloved bar that we’re all very sure you’re excited about.
This festival is trying to push that baseline definition of the documentary at its most banal.
The Conformist represents Bernardo Bertolucci’s first fully successful coordinated attack on the retinas.
This episode was recorded a scant two weeks ago, way back when the Claire Denis retro was winding down at IFC Center.
We come to you live this time not from the hollow hall of Grassroots Tavern but downtown Washington, DC.
When they write a history of Twitter, hopefully a footnote will be spared for Alejandro Adams.
Armond White always begins with himself and ends there too.
On and on it trundles, and the busier it gets the duller it is.
Summer is officially over and all the kids are going back to school.
Our third International podcast is here!
This was recorded prior to the end of the World Cup (go #NE…oh wait) so excuse us.
So to help us fight lame, we’ve got Grady Hendrix, he of the multi-headed New York Asian Film Festival hydra.
The main thing that makes True/False so unspeakably awesome is that they do not care about premieres.
Following the left turn that was Red Lights, Regrets seems closer to familiar territory.