Did you know that fucking is the best way to resist totalitarianism?
Deprived, so suddenly and unexpectedly, of his place to write, Glenn Kenny created a new one.
What is it about science fiction that makes it a genre uniquely qualified to concern itself with ideas and questions about the afterlife?
“Planet of the Ood” is a really strange episode (and yes—I had to restrain myself from describing it as odd).
This is a dull psychological thriller every bit as dispensable as any of the lurid offerings of Gil Kofman’s fictional counterpart.
In person, Robert Towne looks every inch the survivor of the Seventies New Hollywood that he is.
Keith Uhlich guested on yesterday’s Movie Geeks United! podcast, chatting about the Sarasota and Tribeca film festivals, Speed Racer, and more.
This film is as simple as “war is not the answer…only love can conquer hate.”
Nick Broomfield is so focused on the desert he can’t see through the sand.
Leigh’s famous working process received special attention throughout the Q&A, particularly from the aspiring filmmakers in the crowd.
The world seems a little brighter, a little sunnier each day we wake up together.
The episode tinkers with a spot in the season where similar installments have been little more than clever dives into pseudohistory.
Iron Man confirms that Robert Downey Jr. is, like his director Jon Favreau, a comedian and entertainer at heart.
I don’t know another way to say this, so I’m just gonna get it out there.
Anime’s accessibility comes from a suspension of disbelief.
Okay, I’m bored. Something’s wrong. What is it?
We can’t really look at Jean-Luc Godard’s Breathless with fresh eyes, any more than we can see Citizen Kane or Sunrise for the first time.
If any movie aspires to capture What It All Meant, you can’t get much more assertive than Medium Cool.
Maddin discusses the complexities of his latest film, My Winnipeg.
Guy Maddin’s thrilling, ingenious My Winnipeg is a love letter to the Canadian director’s hometown.