If every 10-year-old experienced 20,000 Leagues rather than 10,000 B.C., just imagine the possibilities for cinema’s next century.
It sets what must be all of the remaining plot wheels for the series’s end game in motion.
Is it still rock and roll if there are more Secret Service agents than groupies milling around backstage?
Your reaction to Rashômon will likely be determined, at least in part, by your attitude toward Nietzsche’s assertion that “God is dead.”
Well, this week we address the letting go of Nathan Lee and some of our favorite—ok, the Zodiac one—articles he’s penned.
Sensationalizing can be a useful tool for making people pay attention, and Stalags is a prime example of that fact.
What emerges from the documentary is both a clear sense of Hurston’s artistic achievement and the image of a defiantly outspoken individual.
This is the first episode of Torchwood that left me choked up, crying with Gwen at the end.
There’s something very American about the belief that freedom can only be achieved through blood and Charles Burnett does not shy away from this.
The episode wasn’t a slam-bang premiere, outside of its opening space battle.
Jellyfish is a careful balance of the gently comic and dramatic, never straying too far to either extreme.
The film mostly lives in the present, delving into history only on a personal level.
There’s a sort of unwritten rule in comedy: don’t be longer than 90-minutes.
Otaku is a dirty word.
Orphans are neglected films. Many are not under copyright, or their copyright status isn’t clear.
The concept behind Lucid Screening’s second annual April Fool’s day White Elephant Blog-a-thon seems pretty straightforward.
Now that Martin Scorsese has his long-elusive Oscar, is Peter Weir now our best living director—or, at least, the most nominated—yet to take home the gold statue?
“From Out of the Rain” was so reminiscent of season one’s “Small Worlds” that it came as no surprise that it, too, was written by Peter Hammond.
This is the inaugural installment of a new feature compiling links to reviews of new and recent theatrical films playing in North America.
This week’s episode is a tad bittersweet, as we get onto the topic of independent cinema and how it is being covered less and less in mainstream publications.